Written between 1939 and 1942, these are among the most concise, witty, and lighthearted of all Brecht’s theoretical discussions of theatre. In Brecht’s words, they constitute a “four-sided conversation about a new way of making theatre” and provide the blueprint for Brecht’s radical aesthetic of the 1930s and 40s.
Published by Methuen
112 pages
Condition; Bookshop stamp on title page, otherwise in good clean condition