CHARACTERS

Malcolm – an actor in his mid – late 60s

PRODUCTION HISTORY

First performed by the writer in March 2019 in Croydon, Surrey UK

REVIEWS

‘Brilliant monologue about a person who usually is heard a few times in their careers, but poor Malcolm is never allowed on stage once in all of his time as an understudy to Sir Giles. We are drawn into Malcolm’s world of heartache and revenge and we the reader and audience are left breathless with his final word which is so defiant and brings about much closure for us the reader and I hope for man who never got his chance to dazzle the stage.’ – Lee R Lawing on New Play Exchange

‘If you miss in-person theatre, that’s slowly reemerging, but it’s been a minute, or if you bemoan the fact that there are only three seasons of “Slings & Arrows” – this monologue about the missed opportunities and misadventures of The Stage will be balm for the soul. “Malcom” has been sidelined, literally his whole career. What does it do to a person to always play second fiddle, yet be required to show up? Although this is is about theatre, of course the subtext is deeper and darker, asking us to reflect on the choices we make.’ – Rachel Carnes on New Play Exchange

‘An absolutely brilliant monologue about having to watch your dreams play out from the sidelines, while another gets the glory. Paul Smith’s wonderful dialogue is both heart-breaking and blisteringly funny. Although Malcolm, the understudy, never EVER gets the chance to act, the real, more interesting drama is happening with him directly on center stage. His final act of playing a role of significance is hilariously appropriate, and he just might, as he says, find a better class of people where he’s going. I loved this piece!’ – John Busser on New Play Exchange

‘I am always amazed at people who can do so much with a monologue and this is a clear example. Such a wonderful insight into the world of professional theatre. You can feel the characters frustration building regarding his situation and you do feel for him. I loved the ending, despite it being slightly dark and I think this could make a great piece for a single actor in a festival. Brilliantly done Paul.’ – Rachel Feeny-Williams on New Play Exchange

RUNNING TIME

Approximately 30 minutes

PREVIEW

Preview available here